Authors Beware of deals that seem too good to be true – they are just that!

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There’s been a number of articles on various sites about publishers who hook unwary authors into contracts that give nothing in return. Many indie authors have fallen into this trap—I include myself, unfortunately, in that number.

 

When I was working on my first book length manuscript, a book on leadership that I was encouraged to write by a young man who worked for me as my speech writer when I was U.S. ambassador to Cambodia (2002-2005). After slaving over the manuscript for nearly three years, I went searching for a publisher.

 

I encountered an ad from PublishAmerica, a Maryland-based small imprint that, unlike the many vanity publishers advertising at the time, touted the fact that they PAID authors for their work instead of asking for payment. Knowing, or at least suspecting, that the book I’d written would have limited appeal, it didn’t sound like a bad deal, so I submitted it.

 

A few weeks later I received an email advising me that my book was accepted for publication. Attached to the email was a contract. Naïve in the ways of publishing, I unwisely didn’t have that contract read by a lawyer before signing it. From what I’d read, it didn’t seem to bad – the advance was paltry (a mere $1.00), and I was locked into an 8-year commitment. But, the book would be published, so I figured I had nothing to lose.

 

It was published, but from that point on, it was a nightmare. The cover was somewhat amateurish—even then, just learning the art of designing book covers, I could’ve done a better job. The price was a bit high, I thought, but again, I was new to all this and didn’t know any better. I was encouraged to buy copies for myself at a measly discount from the inflated cover price. The royalties were also small; something like 8% of the cover price (compare that to the 75% you can get publishing it yourself through the Kindle Direct Program, or even the rather generous percentage you get when you publish a paperback through CreateSpace). They did, at least, list it on all the major book-seller sites; Amazon, etc.

 

Surprisingly, there were a few early sales, and I even got it included in a couple of libraries (The U.S. State Department Library, and my college library, to name two). A few people I met at conferences, who had read it, also informed me that they’d purchased copies to use in their management training programs. Despite this, my royalty checks over the past eight-plus years have yet to exceed $50. Looking back, when I compare this to the $100 per month I get through KDP, and an average of $30 per month through CreateSpace and other sales of paperbacks, I can see that what seemed at the time to be ‘too good to be true,’ in fact was just that.

 

The eight years in the contract are up now, and you would assume, as implied in the contract, my book rights belong to me. Guess again.

 

PublishAmerica changed its name to AmericaStar, in an effort, I believe, to attract foreign indie authors, but its practices remain the same. It does nothing to promote the books it accepts, beyond importuning the author regularly to buy copies, and lately it has done something that seals its fate as far as I’m concerned.

 

Over the past 60 days, I’ve been getting emails from AmericaStar nee PublishAmerica, informing me that the company is getting out of the publishing business and going full time to book promotion. In doing so, it plans to sell the rights to the books it holds to another ‘Indie’ publisher, but I can get them assigned to me for a modest fee of $199—it said in the initial emails that this was to cover the cost of removing it from selling platforms, etc.

 

At first, I couldn’t believe they would have the gall to do something like this, so I just ignored the first four or five emails. Then, they said, if I couldn’t afford $199, for a few days I could get my rights back for a mere $149. Again, I ignored them. A week later, another email, informing me that I had only two days to BUY my rights back, and they were doing me a big favor by reducing the cost to $99.  Thoroughly steamed by now, I just filed the emails away and went on to other projects.

 

The latest are . . . funny, pathetic, I’m not sure how to characterize them. I now have 24 hours to obtain the rights to my own work for $79. If I fail to do this, someone else (as yet unknown) will own the rights to my book, and they can’t promise what the buyer will do with these rights.

 

Thankfully, I’ve self-published scores of books since my first mistake, and while I’m not on any best-seller lists, and not getting rich from it, I’m enjoying fairly regular sales, and getting some pretty solid reviews. As for buying the rights back to my own work—I’m in wait-and-see mode. If the last email is correct, I will probably be hearing from the mysterious new publisher someday soon with a request that I buy my book, or something equally ridiculous.

 

I’ve written that book off as a lost cause, and a lesson learned. Never were the words caveat emptor more appropriate.

Review of ‘Death by Diploma’

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High school can be a traumatic time, but that’s usually for students. But when southern belle, Emma Lovett, after getting a divorce and going back to school to get her teaching degree, at her first job in a Colorado high school, she experiences trauma beyond her wildest imaginings. When she finds Melvin McMannus, the school’s night janitor, with his head bashed in, the seamy doings in the school’s underbelly start crawling into the light, and she finds herself at the epicenter of events that threaten to spiral out of control. With her new bestie, Leslie Parker, another English teacher at the school, she sets out to solve the murder, and in the process gets herself neck-deep in the putrid politics of a small-town school, and even perhaps a bit of romance on the side.

Kelley Kaye’s Death by Diploma is, in a word—well, three words actually—a rollicking read. Generous helpings of humor, a dollop of suspense, and as chaotic a cast of characters as mystery lovers could ever crave. As a cozy mystery fan, especially the excellently crafted British cozies, I have high standards, that many authors just don’t live up to. Kaye, on the other hand, not only met my expectations, she exceeded them.

I received a complimentary review copy of this outstanding book, and am happy to bestow upon it five stars.

Meet Kelley Kaye – A Cozy Mystery Author to Watch For

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 I haven’t done an author interview for some time, but when southern California author Kelley Kaye reached out to me to review her Chalkboard Outline series, and I finished the first one, Death by Diploma (which will be reviewed in tomorrow’s blog), I knew I had to know more about her and share that newfound knowledge with my readers. She taught High School English and Drama for twenty years in Colorado and California, but her love for storytelling dates back to creating captions for her high school yearbook. Maybe back to the tales she created around her Barbie and Ken. Her knowledge, and love, of learning comes through very clearly in her books, but rather than bore you with my nattering, why don’t we let her tell you about herself and her writing.

 

 

How long have you been writing?

 

I have loved writing since birth, practically. But I’ve  only been writing to share since my first published short story—a horror story called “Wobegone” published in Crimson magazine in 2000. I’ve only been able to write full time since October of 2013.

 

 

When did you realize that you wanted to become a writer?

 

I am book obsessed—have been since I was three years old. It has always seemed like such a natural progression, from being obsessed with reading stories to wanting to dissect them and wanting to create some of my own. New obsession!

 

Is being an author all you dreamed of, or did it just happen?

 

I feel like my life all around just happened, just keeps happening, and YES it is all I ever dreamed of. I work hard to keep it happening, though. I mean, once it starts. If that even makes sense.

 

What inspired you to become a writer?

 

People always talk to me like this was some sort of a choice. I’ve always loved stories, have read obsessively since I was three, and because of this there are always stories in my head. The stories have to come out, somehow. It’s crucial to my mental health. So I let the stories out, and then there’s much less likelihood of a meltdown. Meltdowns bad, stories good.

 

No, seriously, when I read good writing it makes me want to make my own stories better. Other writers inspire me to write.

 

Who are your influences?

 

My biggest influence is most definitely my dad. He was this obsessive reader and adventurer who ended up opening the first-ever used bookstore (in the U.S. anyway. I think Europe has always had them). He traveled back and forth to that store—Salt Lake to Grand Junction and back—usually with his knees gripping the steering wheel and a book splayed across it, for years (true story), and he brought us any books we wanted. He also brought books HE liked, and shared those as well. My love for YA started with Madeline L’Engle (our books), and for mysteries started with cozies by Nancy Pickard, Jill Churchill, and Julie Smth (his books) and graduating to more hard-boiled fare by James Lee Burke and Harlan Coben (also his). He died in 2012, and I found out he, himself, had always wanted to write. I was heartbroken to hear of this unrealized dream. I hope I can do justice to those dreams, in memory and in honor of him.

 

What books have most inspired you, and who are some authors that have inspired your writing style?

 

To Kill a Mockingbird is a perfect book, in my opinion. But there are so many others—books inspire me because of the way the author turns a phrase, paints a picture or makes me hungry for the next moment. East of Eden. Cat’s Cradle. Something Wicked This Way Comes.

 

Harlan Coben is the one who inspired me to write a mystery—I wanted to write something where the reader laughed a lot and didn’t know how the book would end. Dean Koontz has always inspired me because I think he’s such a great storyteller. My friend Shawn told me once to read TickTock because the rapport between the two main characters sounded a lot like my voice as a writer. I read the book and was so flattered to have a comparison made like that! Stephen King is, also, in my mind a genius storyteller. 11-22-63 had so many moving parts to it and he made them all come together in this amazing machine. Plus I feel he’s a romantic and a feminist and an optimist—all wrapped up in this word package that can scare the bejesus out of you.

 

When did you begin writing, and what was the very first thing you ever wrote?

 

I have always loved writing, the way words can be combined in so many ways to create so many feelings. Stories can go anywhere I want them to go. Unlike life, which is much harder to

control. I’ve always liked messing around with words—stories for my Barbie dolls, captions for my yearbook—but I didn’t really start working on fictional stories and poems until my college creative writing class. I wrote a sci-fi story while listening to “Unforgiven” by Metallica (betcha didn’t know I was a Headbanger from way back), and my professor, Charles Clerc, thought it was good enough to enter it into an L. Ron Hubbard short story contest. I didn’t win, but the process of letting the story in the song inspire me to write a totally unrelated story was intoxicating.

 

How do you come up with your stories, characters, character names, POV, etc.?

 

I people-watch and eavesdrop. A lot. In Death by Diploma, Emma was the name of my college roommate and current friend, and Leslie is one of my closest friends and colleagues from Colorado. The other names are just random ones I pulled out of my…hat.

 

 

The storylines can come from anywhere, I guess—news, television, myths. I taught high school English and drama for twenty years, including mythology—one of my favorite classes to teach. You can get a lot of ideas from mythologies and fairy tales, plus it’s SO fun to tell those stories in the classroom.

 

 

POV is tough to decide. I experiment with it all the time—the Chalkboard Outlines series is third person attached, but the Foundation series (YA Paranormal) alters between first and third person. And the YA standalone Down in the Belly of the Whale is first person, present tense. I’ve never done second person—maybe that’ll be next!

 

 

What do you think makes a good story?

 

Interesting characters with difficult decisions to make. I like it when I’m constantly asking “why did THAT happen?”; “who the heck is THAT?”; “why did that guy choose THAT path?”; etc. The questions are what keep me reading, and the people in the story make me care what’s going to happen as a result of those questions.

 

 

What does it take for you to love a character?

 

I need to believe their actions are true to their belief system and history.

 

How do you utilize that when creating your characters?

 

I ask that question of myself whenever the character decides to do something.

 

What is your writing routine? Are there things you absolutely need to start writing?

 

I have a small “office”— AKA a chair—in the corner of my bedroom, complete with laptop and picture of my late father, bookseller extraordinaire. There is a schedule taped to the side of my dresser, laying out chunks of time for each writing project and each social media outlet. Seven days a week!

 

Do you work from an outline?

 

Ha. I WISH I were organized like that. No, I take whatever my basic story premise is, combine it with whichever characters I pick, and then we’re off to the races. It goes where it wants to. I bought this pretty pink three-ring binder. With pockets. My intention was (is) to have a section and a pocket for each of my characters, with journal entries, magazine pictures, objects, anything that would contribute to my knowledge of the story. Isn’t that a great idea? A mystery writer, Michele Scott, gave me that idea. It’s still sitting on the shelf next to the computer—pretty, pink, and empty. I’m lucky if I can find pockets of time to do both marketing and writing, much less organizing my life that way.

 

Can you tell us a little about your writing philosophy?

 

I don’t know that I have a philosophy, per se. I have a compulsion to write stories or observations which expand upon people and situations. I hope to find an audience who likes the stories, but I will continue writing them no matter what, because if I don’t my head will explode.

 

 

What is your writing style? Outliner/planner or seat of the pantser?

 

My writing style has most definitely been pantser, but I’m in the middle of a book which is neither— instead it’s about tapping in to the brain’s evolutionary REQUIREMENT for story. It’s called Story Genius by Lisa Cron and so far it’s super interesting—I’m excited about implementing elements of this “blueprint” which is neither outlining nor pantsing, and I hope it helps me get better and better, which is always what I’m trying to do…

 

 

 

Can you tell us about your editing process?

 

I don’t edit anything until the entire first draft is finished. Then I give the manuscript to several beta readers, compile all their comments and ideas, and then dive in to the editing.

 

Do you listen to music as you write?

 

I have this recording I picked up at a “Write Your Book in a Weekend” conference. It’s sort of a beach-y, meditative type track with music and ocean sounds—also coyotes howling in the background. I know, right? Coyotes? But it puts me in a mind space that helps the words come out, for sure.

 

What do you find most challenging about the writing process, and how do you deal with it?

 

I am most challenged by the number of ideas I have in my head and on my plate, and the inability to find enough time to spend on them all. I don’t deal very well with it, I think. I’m trying to just attack one thing at a time, because that’s all anyone can really do, isn’t it? I just wish I did it better.

 

 

I feel lucky that dealing with this constant challenge means I don’t really suffer from writer’s block. I have so many projects happening at any given time—right now I’m trying to finish a humorous self-help memoir (you’re right. Not an actual genre. Yet.), I have to change the POV on one YA Paranormal, COMPLETELY overhaul a YA Paranormal that is first in a series, and I need to finish Chalkboard Outlines® Book Three, which I am very excited about even though Book  Two—Poison by Punctuation, is brand new and nobody’s really read it yet. So you see? If I get blocked on whatever I’m working on, then BAM, I shift to a different project. It’s nice that I have constant assignments for my magazine job also, because it’s a completely different type of writing, as are my fiction and non-fiction projects. Allows for whatever state my brain is in!

 

One more challenge—I have MS, have had it since 1994. Two symptoms I have are crushing fatigue, and the pesky problem of my right hand not working so well after a certain amount of activity on the computer or on the paper. Same problem with my left leg (on the street, not on the computer). I deal with those by living my life as a champion napper (I have a scooter, too). At least once a day I have to stop everything and lie down for a while. I did this when I was teaching, too. It’s awesome. I think everyone should do it.

 

 

When and where do you do your writing?

 

This is my office, AKA a chair and a laptop in the corner of my bedroom:

2019 Readers Choice Awards

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I’m so excited because my book, Buffalo Soldier: The Iron Horse, was just nominated for the 2019 Readers Choice Awards contest by TCK Publishing!

 

Please vote for it at https://www.tckpublishing.com/2019-readers-choice-voting-page/

My book can be found under Category 14, Historical Fiction. It should be the first book on the page.

Review of ‘The Undiscovered Country’

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When he buried his abusive father, did his time after being convicted for a crime he didn’t commit, divorced his evil second wife, and made plans to remarry his first, Jack Randle thought he had his family business in order. Then, he gets word that his mother, who had recently communicated an urgent desire to see him, is hospitalized and not expected to live. He’s plunged right back into the muddy pond of a dysfunctional family that he’d really rather not have to deal with—but circumstances leave him on choice.

The Undiscovered Country by Mike Nemeth is an engrossing story of one man’s efforts to set his life on a successful path, despite the efforts of others to divert him. It started a bit slow, as languid as a deep stream, and as soft as a southern summer evening, but picked up the pace when it was obvious that something bad happened or was happening.

This author knows how to hook you and keep your attention. I received a free review copy of this book. I give it four stars.

Review of ‘Portal Zero’

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When a government experiment goes wrong, a portal is opened to another world, allowing monsters to come to Earth. With the EMP accompanying the disaster knocking out power all over the country, the situation is dire. Can anyone survive?

Portal Zero by Eddie Patin is the first book in the Apocalypse Gate series, and it introduces an extensive roster of characters, each reacting to the alien arrivals in a different way. An ambitious story, but not a totally bad first effort.

I received a free copy of this book. I give it three and a half stars.

The latest Bass Reeves adventure

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The Red River QueenGet the latest adventure of Deputy US Marshal Bass Reeves for your Kindle from Outlaws Publishing, LLC. Now available for only 99 cents. Bass is sent to arrest a young woman who has formed an outlaw gang that is terrorizing traffic on the Red River. You won’t want to miss this one.

Available on Amazon at https://www.amazon.com/dp/B07MP47117/

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Review of ‘Frozen Statues: Perdition Games’

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Seven Canadian university freshmen disappear without a trace, but when police later discover two frozen corpses, carefully posed and their eyes replaced by black stones, PI Samantha McNamara knows in her heart that this is a copycat killer restaging murders by the deadly serial killer, Incubus, a man she helped put away for life when she was a member of the police force.

Determined to prove her theory right, she takes it to the police, but is told by her old boss to stay out of it. Never good at taking orders, and convinced that she’s right, she accepts an invitation from Incubus to visit him in prison. That visit sends her on a hunt, not just to find the Frozen Statue Killer and save the lives of the remaining students, but to exorcise her own demons from the fact that one of Incubus’s last victims was her older sister, Joyce. She knows that, somehow, Incubus holds the key to the current case, and she’s determined to track it to the end.

Frozen Statues: Perdition Games by L.E. Fraser is a chilling thriller that takes the reader deep inside the tormented minds of psychopaths who kill for pleasure and the thrill of the chase. A compelling read it shows the circles within circles of mental illness, sometimes merely socially inconvenient, but often, deadly. Not an easy book to read in one sitting, not only because it is long and complicated, but also because you’ll need to get away from it from time to time to remind yourself that, after all, it’s only fiction. But, is it. Studies have shown that the number of psychopaths and sociopaths in any population is far greater than we think, and even in a ‘polite’ society like Canada, darkness lurks around every corner.

I give it five stars.

Review of ‘RoboDocs’

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Dr. T. ‘Gus’ Gustafson’s RoboDocs is a fictionalized take on the use of computers and AI in delivering medical care. The story of a young boy who, after his father dies because of lack of available medical care, decides to become a doctor, it is a futuristic look at medical care. While it attempts to show how AI and technology can improve some delivery, it inadvertently shows how medical care is becoming increasingly impersonal. Depending upon your point of view, this book will either be reassuring or disturbing.

Filled with statistics and technical information, it is an interesting read, though not quite as compelling as it could’ve been. By skipping the many charts and tables, I was able to finish it in one sitting.

Not bad for a first novel. I received a complimentary review copy of this book, and I give it three and a half stars.

Review of ‘Famous Assassinations’

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From the brutal and bloody ‘changes of power’ during the Roman Empire, including the mass attack on Julius Caesar, to the senseless killings of JFK, Martin Luther King, Jr., and Robert Kennedy, assassination has been a tool of the greedy, angry, and dispossessed. Sarah Herman, in her seminal work, Famous Assassinations, tracks the history of this particularly brutal method of political expression down through the ages, and how these killings have changed history.

While most Americans are somewhat familiar with political killings—from Lincoln to JFK—there have been other such heinous acts throughout the world, and throughout history. This is a fascinating look at some of the darker chapters of human history that history buffs will find enlightening.

I received a complimentary copy of this book and couldn’t put it down. I give it four and a half stars.

Review of ‘Yoga for Beginners’

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Yoga can reduce stress, increase flexibility, and, in general, improve your physical and emotional health. Many eschew it, though, because of the perceived need to sign up for expensive classes and have special equipment. Ntathu Allen, in her book, Yoga For Beginners, shows this not to be the case.

The author, a yoga instructor, shows a series of simple exercises that don’t require an instructor or a mat, and can be performed in your home. Though intended for busy women, these exercises can be performed by anyone.

Looking for your next self-improvement project? Get this book. I received a complimentary review copy. I give it four stars.

Review of ‘Three Embassies, Four Wars’

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Like many retired American diplomats, Ambassador (ret) Ronald E. Neumann did an oral history interview with the Association of Diplomatic Studies and Training (ADST), in which he detailed his upbringing, his military service, and more importantly, his three decades of service as an American Foreign Service Officer, and his decision to specialize in the Islamic world.

His book, Three Embassies, Four Wars: A Personal Memoir is an excellent introduction to the life of a diplomat and is recommended reading for anyone interested in pursuing a diplomatic career. The author gives rich details of his life as a Foreign Service brat, his decision to become a combat arms officer in the army and serve in Vietnam, and his subsequent entry into the Foreign Service. He goes into even more detail describing his diplomatic career, with some profound insights into the route to success in this field.

I’ve known the author for some time as a colleague in the American Academy of Diplomacy, the organization for which he currently serves as president, but it was only after reading his book that I learned that our careers, unknowing to either of us, ran parallel from the time he came to Fort Benning as an officer candidate, to jungle warfare school in Panama, and then subsequently in Vietnam shortly after the 1968 Tet Offensive.
This is an instructive, and at the same time, entertaining volume that offers useful information, not just to those interested in diplomacy as a career, but to anyone who really wants to know just what diplomats do.

I give this book five stars.

Soul Alley – Black Soldiers in Vietnam

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A soul-searching documentary by filmmaker, Ted Irving:

https://filmfreeway.com/SoulAlley

 

How Grump Stole Yuletime

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A little holiday-themed short story that I hope readers will enjoy.

1.

 

Daxon Grump was angry. This was nothing new. He was always angry about something. But, on this occasion, he was angrier than he’d been in a long time. He didn’t like not getting his way, and the dunderheads—his word for them—in his parliament had committed the cardinal sin; they’d refused to give him something he’d wanted from the day he put on the crown of Washuptown.

Formerly the owner and star performer in the Grump Circus of the Stars, Daxon Grump had ascended the throne of Washuptown by happenstance and accident, but after a few days there had accepted it as his due. In other words, he’d become royal, regal, and kingly in all the ways those words are thought of as negative, alienating his parliament, and causing him to doubt the efficacy of a parliamentary monarchy, where he had to share power with a bunch of former tradesmen or royals who hadn’t been high enough in the bloodline to lay claim to the throne.

Because of this unfortunate—fortunate for him—the parliament had thrown the succession open to any citizen who could convince the people he was fit to lead. He, with his many years of experience parting suckers from their coin to see the acts in his circus, had campaigned throughout the kingdom of Washuptown, promising the world, and enthralling the crowds of peasants and merchants who had long labored under the often heavy and uncaring hands of the royals. In the end, he had prevailed. His victory against the other contenders had been narrow, but it was just enough to push him to the head of the list. That some of the votes for him had been purchased with the horde of gold he’d amassed over the years was something he gave little thought to, just hoping that it would never be known.

Two days after the coronation, he’d met with Michel Orwell, speaker of parliament, and one of the people who had seen the direction in which the wind of change was blowing and supported him early, and each time he recalled that meeting, his blood boiled, his nostrils flared, and he felt like throwing things.

“But, your majesty,” Orwell had said after he’d presented him with what he felt was a brilliant idea. “I think your desire to protect the kingdom from outsiders is admirable, but the method you propose to accomplish it is not within the ability of the royal treasury to achieve.”

“What?” He reacted in shock and anger, the same way he’d always done whenever one of his circus minions had had the temerity to disagree with one of his ideas. “How much could it cost to build a simple wall around the kingdom? All the gold the royal family amassed during King Odan’s reign has to be sufficient to do that.”

“Hardly, your majesty. We have . . . expenses and obligations that must be met. A wall would deplete the treasury to an extent that we would not be able to do so. Worse, Yuletime is fast approaching, and we must be able to pay the holiday bonuses. It is expected.”

Grump was furious. He was livid. Obligations my foot, he thought. We’re paying hundreds of scribes and counselors to sit around creating mountains of paper that never go anywhere, and that less than half the kingdom could read, and the other half couldn’t understand. And, there were the princely salaries each of the members of the parliament received each month.

This was unacceptable. He would find a way.

“Very well, Speaker Orwell,” he said in a tight voice. “You are dismissed. I will consider this, and when I’ve made a decision, I will get back to you.”

As the obese speaker, his loose jowls flapping bowed and backed out, Grump was having the beginnings of another brilliant idea.

 

2.

 

He thought about it for a full two days. Well, actually, he didn’t do much thinking, for he’d already made up his mind before he’d even dismissed that toady Orwell. Mostly, he sat around two days stewing and doodling on a loose sheet of foolscap. He’d waited for the dramatic effect. His years in the circus had taught him the importance of timing and pacing.

On the third day he was ready.

He had a page summon Orwell.

The fat fool came rushing in twenty minutes later, sweating like a peasant fresh in from the fields. He stopped in front of Grump and bowed deeply.

“You wished to see me, your majesty?”

“I do,” Grump said. “Did you get a chance to read the proposal I sent to your office yesterday?”

Orwell’s head bobbed up and down.

“I did, your majesty, and may I say it is an elegant design, elegant, while at the same time appearing quite sturdy.”

Grump didn’t smile, because, despite the toadying words, he sensed a ‘but’ in there somewhere. That ‘but’ wasn’t long in coming.

“But there is, your majesty, a problem, and I’m unable to get my fellow parliamentarians to agree to supporting it.”

“They refuse to support it,” Grump sputtered. “Do they not know that this is my signature project, that it will be my legacy?”

“Uh, they know all this, but the, ah, problem, you see, is that there is not enough in the treasury to pay for it.”

Grump smiled now, for he’d anticipated that objection.

“I have a plan for dealing with that little problem,” he said. “All we have to do is not pay all the useless hangers-on, like scribes and counselors for, oh, say six months, and there will be more than enough in the treasury to build my wall.”

Orwell, though, was an experienced bureaucrat and a savvy politician. He was not to be outdone.

“That will pay for the materials, sire, but what of the laborers who must build it? That will not be a small expense.”

Again, Grump smiled, which caused Orwell to shudder.

“Ah, the laborers,” Grump said. “I suppose we will have to pay for supervisors. I was thinking I could use the salary paid to you almost-useless parliamentarians for that. As for the common labor, I believe if I ask, enough citizens of Washuptown will volunteer their labor. After all, Washuptonians love me, do they not?”

Orwell knew that was a dangerous question to answer incorrectly, for he’d learned very early that Grump was a man who valued what others thought of him above all but increasing his wealth—as long as they thought well of him. On the other hand, he knew that the citizens looked forward to Yuletime, that week in the spring of each year when they paid homage to the Yule tree, the source of heat, building materials, perfume, tools, and many other necessary items in their daily lives. It was a time they exchanged gifts, planted new Yule trees, and held long parties at which a potent liquor made from the sap of the tree was consumed. What they would definitely not want to do would be spending many, many months constructing a wall around the kingdom which would complicate trade with neighboring kingdoms, and interfere with Yuletime festivities.

“Of course, the people love you, your majesty,” Orwell said. “But you must remember that Yuletime approaches, and the people might not like anything to interfere with observance of this sacred holiday. Oh, and that reminds me, there is one other expense that the treasury must provide for; each year the palace throws a huge Yuletime feast for the populace. It’s somewhat expensive, but well worth it in the goodwill it generates.

“Oh, did I now tell you, Orwell,” Grump said. “In order to ensure the health of the treasury, so that my wall can be adequately funded, I’ve decided to cancel Yuletime this year.”

Orwell’s eyes went wide. When Grump held up a royal edict written in his own crabby handwriting, that said, ‘Yooltime is cansuled until I get MY wall.  Grump Res,’ followed by the royal seal of Washuptown, his blood ran cold.

This would not go over or down well with the citizens. Never in the history of the kingdom had the holiday been tampered with. He did not know how the people would react.

“Don’t you think that’s bit extreme, sire?”

“Of course not. My people love me. You’ll see. I’m having the population summoned this very afternoon in the forecourt of the palace, where I will announce my great plans. You and your parliamentarian colleagues will be there.”

Orwell shuddered and swallowed hard. He had no choice. He would have to be there, but he had a sinking feeling that bad things were about to happen.

Worse, he thought, the simpleton misspelled ‘Yuletime’ and ‘cancel.’ The people will forgive him the second, as most of them probably can’t spell it either, but as for the first . . . well, that was sacrilege. Oh yes, he thought, bad things are about to happen.

 

3

.

Just before the midday meal hour—not, in Orwell’s opinion a good time to assemble people to listen to a speech, even if the speech was for good news, which this one was not to be—most of Washuptown’s population had assembled in the castle’s forecourt. There were puzzled looks on many faces as people wondered why their new king wanted to speak with them. Some smiled, for they figured, if it was important enough for the king to call the whole kingdom together for it, it would be a great thing to participate in. Orwell and his fellow parliamentarians, though, were most definitely not happy to be there, for they knew that when the king announced his grand plan, there was no telling how the people might react—Orwell had shared Grump’s plan with the others, and it’s safe to say that each and every one of them was quaking in his boots.

After making the people wait for half an hour—Grump had read somewhere that this was a sign of royalty, and showed his importance—Grump appeared on the balcony, beaming down at the crowd and waving his hands. Somewhat nearsighted, he didn’t notice the frowns on some of the faces in the crowd. Not everyone was happy at being made to stand so long in the hot sun, and be force to miss the midday meal.

Grump waited until the murmuring, which he interpreted as murmuring of affection for his royal self, to die down, and then he held up his proclamation, and began explaining why he was doing it.

As those in the front rows read the proclamation, stopping on Yooltime, and being shocked and passing this bit of heresy on to those behind them, the murmuring took up again.

Thus, only the guards on the balcony heard the part about government workers not getting paid for six months. The sergeant of the guard sent one of the guards to carry that message through the castle.

Orwell’s colleagues gasped when they realized that parliamentarians’ salaries were included in the things Grump was not going to pay.

The crowd didn’t hear Grump’s call for free volunteer labor to build his wall. They were so steamed that the king butchered the name of their most sacred holiday, they’d stopped listening to his speech, and were talking among themselves.

It was only the rising volume of his voice that caught their attention.

“Citizens of Washuptown, what say you to my proposal?”

 

4.

 

There was a moment of stunned silence.

Then, from the middle of the crowd, someone shouted, “Off with his head!”

“No, no,” someone else shouted. “That’s too good for him. Let’s boil him alive.”

Grump could not believe at first what he was hearing. This couldn’t be happening. The people loved him, they would not be turning on him like this. Something was amiss. He turned and looked at Orwell.

“What are they saying, Orwell? Why are they not happy?”

The pudgy parliamentarian bowed, keeping his eyes averted from the confused king.

“They are angry, your majesty. I warned you that it would be a mistake to muck with Yuletime.”

“But they should be happy that I’m bringing security and safety to the kingdom. When I made speeches about it before I won the crown, they cheered wildly. Why have they changed?”

      “Well, your majesty, it’s like this. They did not feel insecure until you started making speeches about it. They still do not really insecure. Washuptonians simply like good speeches, and you are adept at giving them what they like. Now, though, you have given them something they do not like, or rather, you are threatening to take something they like away from them. I fear that you have pushed them to anger, and I cannot say what they might do.”

“They’re threatening to boil me alive. They can’t do that to their king. They should love me.”

“Sire, they loved you when you were making speeches. If you had left it at that, they might’ve continued to love you. Now you are proposing to do things they do not like or want to do. If I might be so bold as to venture an opinion, I think they just might boil you alive.”

Grump’s ruddy complexion turned gray.

“No, that cannot be allowed.” He turned to the captain of the guard. “Captain, have your men drive these people away from here. Any who resist, throw them into the dungeons.”

The guard captain didn’t move.

“Captain, did you hear me?”

“Aye, your majesty. I heard you. But you just announced that royal employees are not being paid. We guards are royal employees. If we are not being paid, we cannot work. It’s in our contracts. We are not allowed to work for free.”

Grump looked confused. He turned to Orwell.

“Is that true?”

“Yes, your majesty. Employees such as guards have an iron-clad contract. No pay, no work.”

“Okay, okay, I’ll pay you from my personal funds. Now, move those people.”

“Uh, I’m afraid they are not allowed to accept pay other than from the royal treasury, your majesty,” Orwell said. “That is to ensure their loyalty.”

Grump had a sudden revelation. His own petard, his explosive idea that would bind everyone in the kingdom to him and have them bend to his will forever, was now affixed firmly to his nether regions. He had painted himself into a corner on a precipice, with no handholds, and was about to be pushed into the abyss. Being king was suddenly not such a glorious prospect. He wished he’d stayed in his circus.

“W-what am I to do, Orwell. I do not wish to be boiled, dead or alive.”

“Well, your majesty, there is one thing that you might consider. I cannot guarantee that it will work, but it just might placate them, and they just might spare you.”

To a man in a hole, a rope is preferred, but if a string is all that is dropped down, he will grasp it.

“Anything, Orwell, I’m willing to do anything to stay alive.”

“If you publicly relinquish the crown, and put the power in the hands of the parliament, temporarily, mind you, until we can select another to be king. I am confident that the people will be merciful.”

Grump thought about it for all of ten seconds. He’d wanted to be king, but most of all he just wanted to continue to be. Running a circus wasn’t all that bad. At least, he had total control over the clowns, acrobats, and other performers.

“Very well then, I resign effective immediately.”

“Repeat so the people hear, your majesty.”

Grump walked to the railing and leaned forward. “I, King Grump, do hereby relinquish the throne. I am no longer your king. Yuletime is still on.”

The murmuring stopped. People stared up at him.

“You really gonna quit?” some asked.

“Yes, I quit.”

Orwell stepped forward.

“The king has abdicated. The parliament is now in control, and Yuletime is not cancelled. Oh, and there will be no wall built, and all royal employees are to report to work immediately. Yuletime bonuses will be paid on the morrow.”  He turned to the captain of the guard. “Captain, please escort Daxon Grump to the gate and see that he leaves the royal premises.” He then turned back to Grump and not so gently removed the crown from his head.

With a broad smile on face, the captain ordered two guards to seize the commoner. The two burly young men grabbed Grump by his arms and unceremoniously lifted him so that his toes dragged across the cobblestones. At the gate, they heaved him through the opening like a sack of waste and slammed the gate shut.

He picked himself up, dusted himself off, looked around to see if anyone had seen what had happened. Elated to see that his humiliation was unwitnessed by any but the perpetrators, he walked away, whistling.

5.

 

That should have been the end of it for Daxon Grump. Unfortunately, his stars were not so aligned. Some of the people he’d paid to vote for him were heard complaining in a local inn that the coins he’d used to pay them were iron, painted to look like gold sovereigns, and when they’d tried using them to buy things, they’d had them flung back in their faces and themselves flung from the establishments.

When word of this reached Orwell at the parliament, he and his colleagues conferred and came to the decision that such malfeasance could not go unpunished. An example had to be made so that in the upcoming elections the candidates would be motivated to campaign honestly.

A guard was dispatched to Grump’s circus, and he was again unceremoniously hosted between two guards, and thrown into an iron-barred cage and transported to the castle dungeon. The parliament held a speedy trial at which those who had received his counterfeit coins confessed that they’d sold their votes to one Daxon Grump. Each of them received a token two lashes on the back and warned never to commit such a grave offense again. Grump, found guilty of fraud and counterfeiting, was spared the lash. He was sentenced to ten years in the dungeon, allowed to leave his cell once a day only to clean the castle stables and pig sty.

No one would speak to him, and it was forbidden to utter his name. Only the pigs, grunting when he fed them scraps from the castle kitchen, not unlike the swill he received each morning and evening in his cell, seemed to call his name, uttering, ‘grump, grump’ continuously as the plunged their snouts into the gray, mushy mess he fed them.

Grump had always dreamed of a captive audience shouting his name over and over, and adoring him. He finally had realized his dream, and they were his to rule over for ten years.

Review of ‘Harm’s Way’

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Ben arranges a weekend outing to his family cabin in the woods of Vermont, involving several of his friends from school. An eclectic—nay, weird, group if there ever was one. The nerd with a catalogue of allergies, the gay kid, the token African-American, promiscuous twins, a goth with suicidal tendencies, a fat southern boy who finds it hard to adjust to life in the rural northeast, and a high school jock who is a closet gay, just to name a few.

Ben has neglected to tell his friends that the neighboring cabins are deserted because in each there has been an unsolved slaughter of eleven people, but when they find, upon arrival, the corpse of a young woman impaled on a newel on the front porch, he has to come clean. Now, rational people would’ve immediately turned around and headed back to civilization, but then we wouldn’t have a story, would we? They stay, and predictably, they begin dropping like flies, dispatched in bizarre and creative ways, one-by-one.

If you like your fiction dark, you’ll like Harm’s Way by Marc Richard. It reads like a parody of the movie parody of teen slasher flicks. The characters are credible, if not loveable, and the action, even that taking place in the characters’ minds, is somehow believable. This book takes a strong stomach to complete, but in the end, it was worth it.

I received a complimentary copy of this book. I give it four stars.

Review of ‘City of Saints’

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Robert Woolston’s City of Saints, an exploration of stoicism and how it facilitated the development of the Christian religion, primarily Catholicism, is an ambitious book, perhaps a bit too ambitious. The author delves deeply into ancient Greek philosophy with discussions of the main stoic philosophers, moves on to show the link with the develop of Christianity, and then attempts to show how this philosophy can be applied to the 21st century.

An interesting look at a somewhat obscure, but nevertheless interesting subject, but a lot of rather dense prose with maybe more detail in the beginning than really needed, and not enough detail in the latter part of the book. Students of Greek philosophy probably won’t find anything new are startling in this book, and those unfamiliar with the topic will struggle to absorb the deluge of information the author provides.

Bottom line; this is a book that will appeal to some and not to others. I found it mildly interesting. I received a complimentary copy of the book. I give it three stars.

Review of ‘The Coven Murders’

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The skeleton of a young woman, stabbed to death by a single blow to the abdomen some twenty-plus years earlier, is found in a shallow grave near an old abandoned church in Northern Ireland. Then, assistant pathologist Andrew Jones meets a mysterious young woman in a café, and later her wealthy industrialist father and his wife are found dead in their home, single stab wounds to the abdomen. Can murders more than twenty years apart be related or is it just a coincidence. Chief Inspector Jim Sheehan doesn’t believe in coincidences. He also doesn’t believe in the actual existence of evil spirits, but as the case unfolds, his beliefs are shaken to the core.

The Coven Murders by Brian O’Hare is a chilling mystery/thriller, featuring good solid police work, exciting confrontations, and a bit of the supernatural that will keep you flipping pages until the stunning surprise ending. I’ve read other Inspector Sheehan mysteries, and enjoyed them, but this one leaves its predecessors in the dust.

I received a free copy of this book in exchange for my unbiased review. Loved it. I give it four and a half stars.

Review of ‘Fireplay’

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On patrol with the US Marines, Aussie reporter, Jack Emery, encounters a lone jihadist who attacks their convoy. Before he’s taken out, he talks of issues at a prison camp run by a marine unit. When Jack and his buddies arrive at the base, he uncovers a secret that many dangerous people are willing to go to any lengths—including killing him—to keep hidden.

Fireplay is a novella in the Jack Emery thriller series by Steve P. Vincent that moves at light speed from an explosive opening to an equally explosive conclusion. It explores official corruption and double-dealing but doesn’t scrimp on the hot action. I received a free copy of this book. I give it four stars.

Review of ‘Sean Wants to be Messi’

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Sean loves soccer as much as he hates math, and it seems that nothing his mother can do will change that. She enrolls him in a soccer course, and he eventually overcomes his shyness and plays, scoring several goals. His dreams of becoming like his hero, Leo Messi, cause him to figure out how much money he would have to make in order to buy his mother an expensive house, and voila, he learns that math has a role to play even in an athlete’s life.

Sean Wants to be Messi by Tanya Preminger is a great book for youngsters, using fantastic art and a compelling story that will not only entertain young readers, but provide a lesson on the importance of education. I received a complimentary copy of this book which I give five stars. A stunning addition to your young reader’s library.

I give it five stars.

Review of ‘Cat Killed a Rat’

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Luther Plunkett is a slightly bent construction contractor who, along with his even more crooked brother, Evan, is trying to get the town council of Ponderosa Pines to merge with a neighboring town. Lined up against him are Emmaline (EV) Valentino, one of the town’s elders, and Chloe LaRue, the anonymous author of the town’s gossip column, When Luther dies after falling (being pushed) from a ladder in a church where he was working on a job, because he and EV had had a very public spat just hours before his untimely demise, she is the prime suspect. Homicide detective, Nate Harper, back in his home town recuperating from an on-the-job injury, is tasked with finding the killer. The problem is, though, he has a history with Chloe.

Residents of Ponderosa Pines begin to take sides on the issue, depending upon whether or not they like or dislike EV, and when Evan, who also had a very public spat with EV, is found dead in his home, the heat on EV is ratcheted up several degrees. She and Chloe then realize that if her reputation is to be salvaged, and her freedom assured, they must solve the crime.

Cat Killed a Rat by mother-daughter writing team Erin Lynn and ReGina Welling is a cozy mystery that has all you need to pass the time on a cold winter day sitting in front of a cozy fire. Clues and red herrings pile up as high as your chin, and the authors keep you guessing until the killer is found—and, you’ll be surprised when this happens, but it comes at you completely unexpected. Not that there aren’t clues, it’s just that they’ve done such a fantastic job of masking them.

I received a complimentary copy of this book in exchange for my review. I loved it. I give it five stars.